Leo Shuken

In today's world, Leo Shuken is a topic that has gained great relevance and continues to generate interest in various areas. Whether in the field of health, technology, culture or politics, Leo Shuken has become a point of discussion and analysis for experts and non-experts alike. The importance of understanding and delving into this topic lies in its impact on our daily lives, as well as its ability to influence the course of history. Therefore, it is essential to explore the different facets and dimensions of Leo Shuken to understand its scope and meaning in the current context. In this article, we will delve into the most relevant aspects of Leo Shuken, in order to shed light on its importance and significance in today's society.

Leo Shuken (born December 8, 1906, Los Angeles, California - d. July 24, 1976, Santa Monica, California) was an American film music composer, arranger, and musical director, who specialized in epic or Western film genres, including "The Magnificent Seven" series.

Shuken composed for the music industry from the end of the 1930s until shortly before his death, contributing music to over 100 films (many of which were uncredited). He was a favored and frequent orchestrator for the scores of Victor Young; among them My Foolish Heart (1949), Scaramouche (1952) and Around the World in 80 Days (1956).

His first, uncredited, score was for Go West, Young Man in 1937. He won an Academy Award for his work on the 1939 film Stagecoach, and was nominated in 1964 for the Academy Award for Best Original Score for The Unsinkable Molly Brown.

Further reading

  • Jürgen Wölfer & Roland Löper: "Das grosse Lexikon der Filmkomponisten. Die Magier der cineastischen Akustik - von Ennio Morricone bis Hans Zimmer". Schwarzkopf&Schwarzkopf, Berlin 2003, ISBN 3-89602-296-2.

External links

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