Nowadays, Teinosuke Kinugasa has become a topic of great relevance in different areas. The importance of Teinosuke Kinugasa has been increasing due to its impact on society, economy, science, technology, politics and culture. From a historical approach to its relevance today, Teinosuke Kinugasa has been the subject of interest and analysis by experts in various disciplines. In this article, we will explore the different aspects of Teinosuke Kinugasa and its influence in today's world, as well as the possible implications and challenges faced by this constantly evolving phenomenon.
Kinugasa was born in Kameyama, Mie Prefecture. He began his career as an onnagata (actor specializing in female roles) at the Nikkatsu studio. When Japanese cinema began using actresses in the early 1920s, he switched to directing and worked for producers such as Shozo Makino, before becoming independent to make his best-known film, A Page of Madness (1926). It was considered lost for 45 years until the director rediscovered it in his shed in 1971. A silent film, Kinugasa released it with a new print and score to world acclaim. He also directed the film Crossroads in 1928. He directed jidaigeki at the Shochiku studios, where he helped establish the career of Chōjirō Hayashi (later known as Kazuo Hasegawa). After the war, he helmed big-budget costume productions for Daiei studios.Gate of Hell received the Palme d'or at the 1954 Cannes Film Festival and the Academy Award for Best International Feature Film.
On 26 February 1982, Kinugasa died in Kyoto at the age of 86.
^ abJacoby, Alexander (2008). Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day. Berkeley: Stone Bridge Press. p. 114. ISBN978-1-933330-53-2.
Gerow, Aaron (2008). A Page of Madness: Cinema and Modernity in 1920s Japan. Center for Japanese Studies, University of Michigan. ISBN978-1-929280-51-3.