In this article, we are going to explore the topic of What I Really Want for Christmas in a deep and detailed manner. _Var1 has been a topic of interest and debate for a long time, and in this article, we are going to examine its origins, its impact on society, and its relevance in today's world. From its beginnings to its evolution over the years, What I Really Want for Christmas has been a fundamental element in multiple aspects of daily life. We will analyze different points of view, investigate relevant data, and present opinions from experts in the field. With an objective and critical approach, this article seeks to shed light on What I Really Want for Christmas and its influence on the modern world.
What I Really Want for Christmas is the sixth studio album by Brian Wilson and his first solo seasonal release. It was released by Arista Records in October 2005 and features many traditional Christmas songs, as well some of Wilson's originals, including remakes of the Beach Boys' "Little Saint Nick" and "The Man with All the Toys". As a bonus, Wilson elected to include a sampling of seasonal recordings initially available on his website a few years earlier.
Tracks 13–15 are bonus tracks, 13 and 15 having originally appeared on Wilson's website during 2000 and 2001. Track 14 was co-produced by an uncredited Joe Thomas and originally released in October 1997 on an obscure Christmas compilation.
Personnel
Brian Wilson - Keyboards, Piano, Producer, Lead Vocals
Additional Musicians
Karen Elaine Bakunin - Viola
Scott Bennett - Glockenspiel, Organ, Piano, Vibraphone, Background Vocals
Critical reaction was mixed; Alexis Petridis of The Guardian newspaper gave it one star out of five and criticized it: "What I Really Want For Christmas is the least fascinating album of Wilson's career, and may well be the least fascinating album of Christmas - which, given the seasonal presence of G4 in the charts, is not a phrase to bandy lightly. It features two new songs: Christmassy, which is appalling, and the title track, which is even worse."
The album eventually peaked at #200 for one week on the Billboard 200 chart in the US, though "Deck the Halls" became a Top 10 Adult Contemporary hit.