Petrus de Goscalch
In today's world, Petrus de Goscalch is a topic of great relevance and interest to society. From its impacts on people's daily lives, to its influence on the economy and politics, Petrus de Goscalch has sparked a global debate about its implications and possible solutions. In this article, we will explore the different facets of Petrus de Goscalch, analyzing its origin, evolution and future prospects. From its impact on mental health to its role in contemporary society, Petrus de Goscalch has become an inevitably present topic in our lives, generating reflections and discussions that seek to understand its scope and consequences. Through an exhaustive analysis, this article seeks to shed light on Petrus de Goscalch and offer a panoramic view that allows us to understand its importance in the current context.
Petrus de Goscalch (fl. 1378–94) was a composer from the papal choir at Avignon of whom only one composition, "En nul estat", survives in the Chantilly Codex, but who may be significant as the possible author of the third part of The Berkeley Treatise of 1375.
References
- ^ Reinhard Strohm, Bonnie J. Blackburn Music as Concept and Practice in the Late Middle Ages 0198162057 2001 "The Berkeley Treatise is an anonymous five-part compilation of works on fundamentals and mode, discant, mensuration (this part a version of the Libellus cantus mensurabilis secundum Johannem de Muris), musica speculativa, and tuning ... Its third part bears the date 1375 (and in a concordant manuscript an attribution to Goscalcus Francigena, possibly identical with the composer Goscalch known through one ballade in Chantilly, Musee Conde, MS 564). It is important for its exposition of the theory of hexachords built on notes other than C, F, and G..."
- ^ Günther 2001.
Sources
- Günther, Ursula (2001). "Goscalch". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.11496. ISBN 978-1-56159-263-0. (subscription or UK public library membership required)
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