Odo of Arezzo

In this article, we are going to explore the topic of Odo of Arezzo from different perspectives and approaches. Odo of Arezzo is a topic that has captured the attention of experts in the field, as well as the general public, due to its relevance and importance today. Along these lines, we will analyze the different aspects related to Odo of Arezzo, from its history and evolution, to its implications in contemporary society. In order to offer a comprehensive and balanced view, we will also address the controversies and debates that have arisen around this topic, in an attempt to shed light on its different facets. Thus, Odo of Arezzo is revealed as a topic of great relevance and interest, which deserves to be analyzed and understood in depth.

Odo of Arezzo or Abbot Oddo (fl. late 10th century) was a medieval monk who worked in Arezzo, active as composer and music theorist.

Life and career

Little is known about his life, except that he was an Abbot in Arezzo, working under Bishop Donatus of Arezzo. Odo composed a tonary (a book of chants which usually included antiphons and responsories) with a discussion of modes, which survives in twenty manuscripts, four of which contain attributions to Odo. In several of the manuscripts a prologue ascribed in three out of six to Odo is entitled "Formulas quas vobis".

References

Citations

Sources

  • Brockett, Clyde; Huglo, Michel (2001). "Odo of Arezzo". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.20255. ISBN 978-1-56159-263-0. (subscription or UK public library membership required)

Further reading

  • Huglo, Michel (1971). Les tonaires: inventaire, analyse, comparaison [The Tonaries: inventory, analysis, comparison] (in French). Paris. pp. 197, 223–224, pl.III.{{cite book}}: CS1 maint: location missing publisher (link)
  • Merkley, Paul (1988). Italian Tonaries. Ottawa: Institute of Mediaeval Music. pp. 31–32, 56.