Vincenzo da Rimini

In this article we are going to address the issue of Vincenzo da Rimini, which has gained great relevance in recent years. Vincenzo da Rimini is a topic that has captured the attention of people in different fields, from academics to professionals, due to its impact and relevance in today's society. Throughout history, Vincenzo da Rimini has been the object of study, debate and reflection, demonstrating its importance in various disciplines. In this article, we will delve into the world of Vincenzo da Rimini, exploring its different facets, its evolution over time and its influence on contemporary society.

Vincenzo da Rimini, also Magister Dominus Abbas de Arimino, L’abate Vincençio da Imola, Frate Vincenço, was an Italian composer of the medieval era, active in the middle of the 14th century.

Life and career

All of the biographical details concerning Vincenzo's life are circumstantial. Rimini is a city near Bologna, and is a probable place of birth or employment. He is depicted in the Squarcialupi Codex as a Benedictine monk. Scholars have proposed that he was at a Benedictine monastery in Regola between 1362 and 1364, but this is not strongly substantiated. Allusions in the lyrics of his works suggest he worked under the Alberti or Malatesta families in Florence.

Music

Six of Vincenzo's pieces survive to the present day: four of them are madrigals and two are cacce. Stylistic indications place Vincenzo as younger than Jacopo da Bologna and older than Lorenzo da Firenze and Donato da Cascia. Vincenzo makes more use of imitation in the madrigals than did Jacopo. Both of his cacce, which use the dialect of North Italy, depict marketplace scenes.

Works

Madrigals

(all for two voices)

  • Ay, sconsolato ed amoroso
  • Già era ’l sol
  • Gridavan li pastor
  • Ita se n’era a star
Cacce

(all for three voices)

  • In forma quasi tra ’l veghiar
  • Nell’acqua chiara

References

Wikious
Boobota
Sagapedia